AMRITAAI FILM STUDIO

From a sentence
to cinema.

Amrita Studio · Directed by an agent

A private AI film studio with its own director. Amrita writes, builds worlds, casts, shoots, scores and cuts, and you keep the final word.

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01Director

It begins
with a line.

Describe the film in plain words. Amrita, the studio’s director, writes the script in stages, scored against twenty laws of cinema, before a single frame exists. If the brief is thin, she asks at most three questions first.

Example premise: A nun with a red suitcase crosses Los Angeles before sunrise.

The numbers behind it
Questions on a thin brief
3 at most
Script stages
Beats → scenes → shots
Laws of cinema
20, scored 0–2
Studio tools
160+
  • Amrita, the Director, live
  • The Writers’ Room, live
  • Decision ledger, live
  • Live voice talkIn development

02Locus

Map the place
once.

Feed Locus one moving shot of a location. It rebuilds the space in 3D and lets you rehearse inside it. Every frame goes back on its camera, stand-ins take their marks, and a rough previz plays along the camera path you draw.

The numbers behind it
Input
One moving shot
An 8 s shot
96 cameras · 2M points
Draft previz
47 s
Stand-ins
Cast heights, named marks
  • Locus, live
  • Locus Previz, live
  • Live Set Viewport, live
  • Location SurveyIn development

03Picture

Blueprint becomes
photograph.

A shot begins as a plan in clay. Then the frame is painted as a photograph, colour-matched to the shots you approved. The plan sets the composition: a blockout in metres, figures on marks, a lens and a move.

The numbers behind it
Camera moves
Push · crane · orbit · rack focus
Aspects
16:9 · 9:16 · 1:1 · 3:2
Draft render
48 frames in about 11 s
New angles
Any position, lens, height
  • Scene Builder, live
  • Any-Angle Keyframes, live
  • Set BibleIn development
  • Local Set FixIn development

04Cast

One face.
Every shot.

Create a character once, with reference pictures, outfits and a locked voice, and link it into any project. Front, side and back are on file, and in Locus every face is checked against its references before a frame moves.

The numbers behind it
Framings
Face · waist · full body
Views
Front · side · back
First-frame check
Face · wardrobe · proportions
Looks and voices
Locked by you alone
  • The Cast Library, live
  • Hero Props, live
  • First-Frame Gates, live

05Voice

A voice that never
existed.

Every voice is designed from words alone, auditioned, and locked by you. Lines are performed in Hebrew and English and checked word by word; on camera, the face performs the exact recording you approved.

The numbers behind it
Languages
Hebrew · English
Word check
Every recording
Lip sync
Within 40 ms · English
Real-person voices
Not allowed
  • Voice design, live
  • Auditions and lock, live
  • Lip-synced dialogue, live
  • Hebrew on cameraIn development

06Music

The sound comes
first.

Original songs and instrumentals are written and performed in the studio, and the soundtrack is built before any shot exists. Each song is mapped into a clock of beats, sections and energy, and the picture is fitted to it.

The numbers behind it
Versions per song
Up to 4 · your pick
Song map
Beats · sections · energy
Picture
Fitted to the song
Music gaps
None over 0.8 s
  • Original songs, live
  • The music clock, live
  • Sound from the picture, live
  • Per-scene film scoreIn development

07Code Art

Motion, written
as code.

Some moments are better written than shot: the director writes type, graphics, light and camera as living code. Each scene is timed to the music clock, and the studio renders every frame, with generated footage playing inside it.

The numbers behind it
Type
Hebrew · English, both directions
Formats
9:16 · 16:9 · 4:5 from one scene
Drawings
4–60 per second
Renders
Frame-exact, repeatable
  • The Live Canvas, live
  • Kinetic typography, live
  • Sound Palette, live
  • Character rigIn development

08Series

A whole series,
one project.

Each episode keeps its own script and gate, and every take remembers the episode it was made for. Around it all, a memory envelope of 220+ craft lessons flags known mistakes before a shot is rendered.

The numbers behind it
Structure
Series · episodes · parts
Active lessons
220+
Creator’s pinned rulings
60+
Choices
Logged with who made them
  • Series and episodes, live
  • Memory envelope, live
  • Series memoryIn development
  • Storyteller frameIn development

09Judgement

Ninety-five
to pass.

In a production run, each take is measured the moment it lands and earns one score out of 100. The gates check lips against the line, stray voices, jump cuts and frozen frames. Machines advise; you keep the final word.

The numbers behind it
Pass
95 of 100 · aim 100
Below the bar
2 retries, then a redesign
Unmeasured
Named, never a pass
Quality lock
Lifted by your click only
  • Take Gates, live
  • Shot Score, live
  • Quality Lock, live
  • Blind taste testIn development

10The cut

The director
never sleeps.

Approved takes are laid on the soundtrack’s clock, with dialogue, ambience and music in their own lanes. Every master is measured before it leaves, and a take you approved stays in the cut until you replace it.

The numbers behind it
Loudness
−14 LUFS ±1
Music gaps
None over 0.8 s
Black or frozen frames
Flagged
Approved takes
Only you replace them
  • Final mix, live
  • Delivery Check, live
  • Director’s Dailies, live
  • Autopilot, off by default, live

11GlobeComing soon

Scout real places
from your desk.

Turn the globe, choose a real place, and open the public camera views already pointed at it: the street, the light and the weather as they are today. Location scouting without the trip, wherever public cameras exist.

The numbers behind it
Status
Coming soon
Places
Real locations on a 3D globe
Views
Public cameras, where they exist
  • The GlobeComing soon
  • From orbit to scenePrototype

Forms · Interactive

The studio in eight shapes.

Locus · A real map

One shot in. A place out.

Scroll through what Locus does with one moving shot: it finds every camera, pours the frames into 3D, and hands you a set to rehearse in. Drag to turn it.

A real Locus map: 96 frames of one dolly shot through the Hall of Lost Things, a set the studio generated. Two million points, shown here at a hundred thousand.

Set lab · Interactive

A cinematographer’s toolkit, in clay.

Cut between four lenses, slide the set from clay to picture and move the hour of the light. Choose Explore set to take the camera yourself. The readout at the top of the set reads: camera, lens, camera height, hour.

A sketch in your browser of how the studio blocks a shot. The studio’s own Scene Builder works in metres, at 24 frames per second.

Song DNA · Interactive

The song is the film’s clock.

Every song is mapped into beats, bars, sections and energy before a shot exists, and the picture is cut to it. This is the real map of the Saints & Runaways trailer: drag the strand, or press Listen.

Selected work

Now screening.

Every film here was made at Amrita Studio. The photographs in the journey above are frames from Saints & Runaways. New films are screened here as they are finished.

Studio overview

Everything in
the studio.

Everything the studio does, and what is live today.

    Every capability in one list: what it does, and its status in plain words.

    About the studio

    A film studio with its own director.

    Amrita Studio is a private AI film studio. Its director, Amrita, is an agent: she writes, builds worlds, casts, shoots, scores and cuts. A person keeps the final word on every choice.

    What it makes

    • FilmsShort films and trailers, with dialogue, sound and music.
    • SeriesEpisodes that keep their cast, their places and their story.
    • Music videosOriginal songs, with the picture cut to the beat.
    • Code ArtType, graphics, light and camera, written as code.

    How it works

    1. A sentenceYou describe the film in plain words. If the brief is thin, Amrita asks a few questions first.
    2. A plan and a worldShe writes the script in stages, builds the places, casts the faces and voices, and writes the music before any shot.
    3. A finished filmEvery take is measured and judged before you see it. You approve each piece, and the cut stays yours.

    Today Private and by invitation. The studio is a non-commercial prototype, and some of its tools are still in development; this page marks each one.

    Ask for a private screening

    Private studioBy invitation

    Come to a
    screening.

    Amrita Studio is a private, non-commercial AI film studio, still in development. To follow the work or ask for a private preview, write to the studio.

    Request access